Showing posts with label apryl skies. Show all posts
Showing posts with label apryl skies. Show all posts

Sunday, April 1, 2012

Defining the Stone


April is National Poetry Month, a time of celebration, where we are reminded of the power of our words. Words as weapons can slaughter the strongest of souls, while the soothing waters of words have the ability to smooth even the most rugged of stones. Poetry is the bridge we build through emotion, wisdom and truth, a way to better understand the world and create a universal unity through the common thread of inspiration.


An old man close to death
holds in his hand, three stones.

The first is a simple river stone,
smooth and gray,
its edges softened by the rolling waters.

The second of quartz and agate
is coarse in texture.

The third stone, jarred loose
from a rugged cliff is jagged and sharp,
yet shiny and translucent in reflected light…

A young boy running on the beach
stops before the old man
and the old man speaks…

“My young friend, you have a lot of life to live.
Do you know what that means?”

“I think so.” The boy replies.

“It means you must define the stone.”
The old man confirms.

He then takes the smooth river stone
and places it in the young boy’s hand.
Rolling the first stone in his palm,
the boy observes…

“Each of these stones are unique
and molded by time…
At first, this stone was jagged,
with its edges sharp.”

The old man explained, pointing to the small
stone in the boy’s hand.

“A stone’s texture can be softened to smooth
by the taming rush of these waters.
It takes time for stones to soften their edges,
but even the largest, most rugged
of stones can be polished soft.”

The boy held out his hand and the old man 
places the second stone in the boy’s palm.

“I see.” The boy said.

“This second stone comes from a jagged cliff by the sea,
but it has been abused by the crashing of waves.
Over time, this stone has become rough and jagged,
but my son, do not be the fool.”

The old man cracks open the jagged rock
against the smooth texture of the first stone.
When the stone is cracked open
a vibrant crystal center is revealed.

“The  most precious things
are found in the most unexpected of places.”

The old man places aside the first two stones
and picks up the third stone and continues.

“This stone is beautiful and captivating,
a little rough on the edges here and there,
but when you take a closer look…
Hold this stone up to the light, my son.”

The boy raises the third stone to the sun
and it shines, casting a prism onto the sand
below the boy’s tan little feet.

“Do you see?”

The old man asked, smiling at the young boy.

“Yes, I see. 
There is something amazing within all things.
This is a brilliant stone despite its jagged edges.”
The boy replied with enlightened eyes.

“Indeed. You must remember,
sometimes beauty is not so obvious. 
Do you see how this stone illuminates 
the world around it?”

The boy then gazed down at the stone in his palm.
When the boy looked up again, the old man was gone
and all that was left were stones on the beach…

Apryl Skies © 2009-2012 



                                                ~From A Song Beneath Silence

Thursday, December 1, 2011

Fire in the Marrow - Review by Apryl Skies



      

There is an artful, sacred and sublime purity to the language author William Crawford speaks. It is a tug upon the line of communication between what eyes see, the heart envisions and dreams depict... a sense of musical beauty which remains in each facet, conundrum, grain of wisdom shining through the void of uncertainty; life's unknown overtures. This book is a celebration of scars, unconfined by the shackles of metaphor, formality, physicality or imagination...the unlocked door between sublime and simplicity. It is a poetic jungle of emotion, a "frangible" garden of tearful song and joyful dance...each footfall inbetween.

    The last poem Epilogue Tasmanian Persecution is the perfect bittersweet ending to the book...as an animal rights activist Crawford bleeds fire into the marrow of universal responsibility, a bold, poetic and inventive stand against human cruelty and the destruction of animal species worldwide and widely undiscovered.

    The wisdom Crawford offers in Fire in the Marrow inconspicuously and perspicaciously pleads readers to live for a grander purpose and intention. A divine and insightful collection of poetry that will, no doubt, transcend the eras. 

Wednesday, September 14, 2011

Writers' Row: School's in Session

Writers' Row: School's in Session

Come join us for Writers' Row! Wednesday, September 14 · 7:30pm - 10:00pm


Location:       
The Last Bookstore453 S. Spring St. (across from Alexandria Hotel at 5th and Spring St) Los Angeles, CA

This month, Writers' Row features work in the realms of fiction, poetry, and the in between!

Writers' Row is downtown LA's Official Written Art Showcase held at the literary and extravagant Last Bookstore! Hosted by Jessica Wilson

Featured Poets:

Pete Justus
Amanda La Pera
Rolando Poet Ortiz
Katharina Harer

Other Outstanding Performances Include:

Apryl Skies
Cklara Moradian
David Beal
& L.K. Thayer


The event is free to the public. Refreshments provided by Los Angeles Poet Society.

OPEN MIC (5 mins, 2 pieces) RSVP venicesoapboxpoets@gmail.com to get on the open mic list.

Buy books, network, relax and take it all in!















Thursday, September 8, 2011

KOTORI MAGAZINE - The Ladies Take the Stage

Celebrating Women Writers 
Jessica Wilson Hosts an outstanding poetry reading event 
at the Last Book Store in down Town LA
KOTORI MAGAZINE - The Ladies Take the Stage

View the Spoken word performances of several 
of the featured ladies on 
www.EdgarAllanPoet.com

Tuesday, August 30, 2011

Sherman Oaks Publishing House Celebrates Women Literature



Sherman Oaks small press publisher Edgar & Lenore’s Publishing House celebrates women’s artistry & literature with a brand new website & poetry archive. The publisher’s master website www.EdgarAllanPoet.com has come along way since 2006, when it was only one page highlighting poetry by only a few select poets. Now featuring poets and writer’s from all over the world the site takes an artistic approach to contemporary publishing and offers a Master Library where viewers can look up content by title and or by a List of Writers.

Calliope’s Closet, the new website features select poetry and artistry by women from across the globe, including several talented local Los Angeles poets and writer’s such as  Alicia Winski, Amanda LaPera, Camille Solari, Helena Hunter, Jessica Wilson, M. K. Presson, Sheila Crawford, Trish Falin and myself, Apryl Skies.

To read the editorial in its entirety click on the following link:

Sherman Oaks Publisher Celebrates Women's Literature



Friday, May 13, 2011

Sherman Oaks Author Finds Inner Peace Through Poetry

 “For me, the very process of composing poems embodies letting go of control.”  Danny Miller

Danny Miller of Sherman Oaks, author of Losing Control, Finding Serenity has achieved an impressive share of success, but it wasn’t until he let go of control in his life that he was able to find true happiness and peace of mind.

As a highly trusted and successful real estate instructor and author of best-selling book How to Invest in Real Estate Syndicates (Dow Jones-Irwin), by his 30’s Miller was at the height of his career & had everything money could buy, but as an individual driven to control every aspect of his life, he was haunted by a proverbial unease, consumed by fear, anxiety and anger.

After a series of personal setbacks & a humbling battle with cancer, he realized his life had to change and turned 360 degrees toward a more profound success as a poet and painter. Releasing the tensions of control and choosing to move with the currents of life rather than fighting against them, Danny Miller found peace, greater understanding & true purpose.

Inspired by Khalil Gibran, reading Danny Miller’s poetry has the feeling of mantra, a poetic, zen-like reminder or ode. It’s the type of poetry you want to remember in the back of your mind as to allow it to expose itself when the hammer falls and the need bares its teeth.

              LIFE’S LANTERN
Obsessed with Control,
We can’t let go.
But shorten life's list,
The more we resist.
Relinquish,
No longer diminish.
Let things be,
Begin to feel free.
To travel this Path,
Use its new Math.
Accept and allow—
Even meow.
Look to the Waves,
Follow their Sways.
Cresting in the Wind
Nature's magic Within.
Sometimes in tandem,
Always random.
Release,
Feel the Peace.
Life’s Rhythm of Truth,
Lost in Youth,
Follows no pattern, yet
Brightens Life's Lantern.


“Painting is like poetry in that they both evoke feelings and truths that are made more powerful because they are intuitively felt rather than articulated and in that sense they are both highly spiritual. They also both flourish when we are willing to let go of control of the creative process by moderating our expectations and not over-thinking the pieces. When we loosen the reins, freedom and open-ness of ideas and process seamlessly gel with knowledge and technique to produce original works of beauty and meaning.” Danny Miller

As a talented poet, painter and author of Losing Control Finding Serenity, Miller shares his journey of letting go, his first step toward true happiness. On this journey to serenity, he becomes a better person, family man and gains the inner peace he never thought possible, which he explains, is now his most valuable asset. Poetry has allowed Danny to discover his inner most truths, to express himself in a more positive way and find his true spiritual self.

In his new book, he explores the dangerous elements of control, fear & avoidance, guiding us through the lessons he has learned as he shares his secrets, his poetry and holds nothing back. Dedicated to helping others face their fears, no matter how intense, Losing Control Finding Serenity is poetic, philosophical and unselfish; a guidebook to true success, happiness and peace of mind.

We all have scars, some are more obvious than others, but Losing Control, Finding Serenity teaches us not to be defined by them. Available on Amazon, this book has achieved high acclaim and favorable reviews by mind, body, spirit publications and media and has been embraced by poetry lovers worldwide. An empowering collection of modern philosophy and poetry by a profoundly inspiring writer, highly recommended.

To find out more about this book, to view paintings or to read more of Danny Miller’s work please visit his website:

Saturday, May 7, 2011

In The Company Of Women

A Call For Submissions for a new 2012 publication 
In The Company Of Women
In The Company of Women is an enthusiastic look at the heartfelt dynamics of the relationships between women presented in varying forms of poetry, memoir, commentary, quotes and artwork.
From laughter to tears, Company is a book born of life histories and the journeys taken and navigated by women of wit and wisdom.



"There came a time when the risk to remain tight in the bud
was more painful than the risk it took to blossom"

~ Anais Nin ~

In late 2009, Apryl Skies and Alicia Winski spent quite a bit of time collaborating on the idea of a "conversation" poem.

The theme of the poem was based on the impact women in their lives have had on them both positively and negatively. In short; how did the presence of women, or a woman affect their thinking? How did they color their view of lives and perhaps change the course of them?

A broad conversation that was clearly larger than themselves. After much discussion, they felt that certainly, this was a conversation that needed far more than two voices; it needed a multitude of voices. And with so many women possessing so many touching stories, memories and thoughts, they felt it to be almost criminal not to include them in this conversation. And so, a new and exciting journey has begun.

They are now currently accepting submissions to be included in this project entitled, “In The Company of Women”; an anthology project written by women of wit and wisdom, that is very dear to them.

PLEASE READ THESE SUBMISSION GUIDELINES:

If you would care to submit your poetry, short stories, quotes, memoirs,  musings, old recipes, even some photos/artwork reflecting how a woman or women have impacted your life for consideration, please send them to Alicia Winski and Apryl Skies at eappublishing@gmail.com. You can also send your submissions to them via their Facebook page. Please stay on topic and please make sure you put the word “submission” in the subject line. Also, please send no more than five pieces.

We also want to reiterate that this is not a paying endeavor. This is a project born of the desire to give women authors a voice and to get their work published. Authors will retain all rights to their work and will be able to purchase copies of this anthology at an extremely discounted price, upon publication. This will enable the authors to resell via their sites or other venues of their choosing. Edgar & Lenore’s Publishing House will be promoting this anthology on amazon.com, barnesandnoble.com, borders.com and Calliope’s Closet, an upcoming site designed solely to promote the artistic endeavors of women. This includes poetry, short stories, artwork, jewelry, etc. E&L will also donate $1.00 per book to an organization supporting the care and nurturing of women/children in a safe environment. Any other proceeds received by E&L will be used to cover costs of publishing, advertising and promotion. Any authors who prefer to submit their work to a paying venue should contact Edgar & Lenore’s Publishing house and advise of this.

As previously stated, we are anticipating publication of this anthology in early 2012 and would love to hear from you wise and witty women! And if you know any wise and witty women who might like to submit their thoughts/work to us, please feel free to pass it along.

“In The Company of Women”
an anthology of musings edited by Apryl Skies and Alicia Winski.


Also Coming in 2012
The Panty Drawer


  
Please don't forget to visit the link and "Like" the page!



“IN THE COMPANY OF WOMEN” 

Coming in 2012
Brought to you 
by 
www.EdgarAllanPoet.com

Thursday, May 5, 2011

Wyatt Underwood: Poetry (Luna)tic



“Sometimes it seems [I have] been trying to learn the language all [my] life, but what a great game! Give it the structures and strictures of poetry and it's even more rewarding.”
~Wyatt Underwood

Wyatt Underwood, originally from Albuquerque New Mexico, spent much of his childhood in Brazil and has since migrated to southern California. He is a lover of physics who still acknowledges Pluto as a planet, a poet and the author of four books. He enjoys long motorcycle rides on his Harley and adores his wife Lindy of 28 years. Underwood, whose voice sounds a bit like James Earl Jones with a slight curl to it, has recently taken to the stage to perform at some of the valley’s favorite readings, including Soapbox Sessions & The Cobalt Cafe.

Underwood assisted in mapping 95% of the moon and if that isn’t enough he writes incredibly moving poetry. Wyatt studied physics and poetry and worked on the programs that tracked robots for several Lunar Orbiter flights, an unmanned exploration of space before the moon landing by Apollo 11 in July of 1969. During his time in the field, he worked on missions studying every planet except Mercury and Pluto.

In addition to his moon missions, Wyatt loves to write about women, which is quite evident in his more charming pieces such as How, Questions & Requiem, a very heart-felt & tear-stained letter. As a well-rounded writer you will find elements of Bukowski in Underwood’s poems such as Just Walkin’ & Bukowski, as well as a nice slice of William Carlos Williams whom he ascribes for his love of written word.

Hearing Wyatt recite his poem, Requiem (shown below) will bring you to tears & make you want to reach inside the poem & change the consequences. What Wyatt brings to the page is always genuine, tender and honest, a lot of which is inspired by actual events and real people. Wyatt’s work is biographical, observational and timeless. It has the ability to make you laugh and cry, sometimes even within the same poem. It’s touching and tangible and contains stories that once read will leave footprints on your soul.

Wyatt Underwood who describes his poems as “experiences” and concludes his major influences are his mentor, Keith Wilson, whom For Keith was inspired by & who was resident poet at New Mexico State University for years. in addition, he is inspired by Charles Bukowski, William Butler Yeats, Robert Frost, e. e. cummings, and many others.

Requiem

a friend's funeral happened
a thousand miles away
a dozen people held umbrellas
rain fell desultorily
a man who meant well
spoke of a life he hadn't known
I wonder what I would have said
we'd not been close nearly ten years
she loved life when I knew her
rode horses and climbed rock
sat on a cliff's edge and laughed
until I grimaced and joined her
trees I knew grew fifty feet tall at least
looked like dollhouse toys
"I'd take the fast way down"
she laughed, "if I could make the stop soft"
she grinned at me
"I couldn't stand to miss tomorrow,
what all might happen?"
but last week she put a gun into her mouth
and blew the pain away, so close friends say
I hope her way made the stop soft

Wyatt Underwood © 2011

Allerednic

I walked in darkness and an angel
found me or I found her
I never could be sure
and though she'd lost her wings and halo
she took me close enough to heaven
while she kept my feet on the ground
it is the story of my three loves
but heaven was never quite what I expected
it has its own demands and strictures
even when it stays close to Earth
I walked out of one, not sure I was ready
I lost one, sure I was unready
and so far have worked well enough
to remain in the third
thank you, angels, for all the ways you cared
for loving me when you did, and loving me as you do
I'm pretty sure no heaven awaits me when I die
but how could I need it, having shared yours?
Wyatt Underwood © 2011

For Keith

I knew a man
who warred
way back when
Korea we protected
he came back and shot flies
with a .22
because a .45
would have been overkill
he came back from that too
and found in words
in beauties
in Zen
and finally in love
a calm
that needed no flies to shoot
he played with words
until they celebrated
beauties, Zen, love,
historical houses saved
by people living in them,
secret gardens,
ranchers,
and ghosts,
ghosts of old times
and ghosts of young men
who hurried off to war
because their country sent them,
hurried off and did not return
nor shoot flies with a .22
ghosts of men buried in Korea
and men not buried anywhere
ghosts who came to him for his calm,
his Zen,
and maybe for his beauties, or his love
I knew a man

Wyatt Underwood © 2011

Wyatt Underwood’s book titles are available on Lulu. Fixes For No Problems is highly recommended as is Haiku Foryu which contains over 100 haikus. If you’d like to hear Wyatt live he will be featured at the Border’s in Woodland Hills on May 28th at 6:00 PM.

To read more from this author follow him on Edgar & Lenore's Publishing House, Lulu, Facebook

Review by Apryl Skies 

Friday, April 29, 2011

Hart D. Fisher: Poet & Horror Kingpin Spills His Guts... Again.


Reader discretion advised. The following Feature is for adults only and depicts images and poetry that may be disturbing to some readers. Readers are fore-warned, proceed at your own risk.


“I’m still just another scream walking like a man.” H.D.Fisher

Hart D. Fisher is an assault to the senses & by all accounts the most controversial figure in the poetry community. Early in his career he established his own publishing company Boneyard Press and is author of Poems for the Dead & Still Dead. Fisher has clawed through every bloody facet of the entertainment industry in both main stream & underground arenas. Besides running Glenn Danzig's comic line Verotik, he designed concept illustrations for Marilyn Manson, mentored Gerard Way of My Chemical Romance & was a key lynchpin in his comic career. Hart Fisher first published Stephen Elliott's poetry in Flowers on the Razorwire & fittingly James Franco is slated to star in an upcoming Elliott-based film. Hart has directed & developed countless films & music videos; recently editing Danzig’s "On A Wicked Night". Regarding Hart Fisher's career experience...the list goes on.

Currently, Fisher has alchemized a riveting new project American Horrors, a media juggernaut hungry to devour the world of horror & stomp it the way Disney dominates the family genre. It is a powerhouse venture set to light the horror genre ablaze by monetizing distribution, production, publishing & the television horror networks; not to mention hell-bent on testing the limits of entertainment, giving horror fans the content they truly deserve.

Life has a way of severing dreams, leaving them hanging off a butcher’s hook & that is what Hart Fisher is able to do with a pen. His poetry comes from personal struggle, be it raw or taboo Hart lives his poetry. It is honesty at its most horrific or beautiful, always “stripped to the bone, directly naked”. It is his sordid legacy to art & the pulse of his creativity. He concludes that poetry, of all his creative endeavors best describes him as an artist & has opened the most doors for him; that being a huge kiss on the brow of the poetry community.

Hart Fisher is a multi-faceted talent but insists, it’s not a result of strict focus. A self-proclaimed “crazy Gemini” he excels having multiple projects going on at a time. With all his creative outlets he hadn’t thought of himself as a poet until the shooting of his first film The Garbage Man, during which his girlfriend was violently raped & murdered. This led to a mental breakdown, but would also shape-shift Hart’s writing career, resurrecting him a beast of extraordinary emotion & intensity. His work has been the target of censorship and damnation throughout his career, but he describes his work as a spontaneous “fit or seizure” an uncontrollable possession within him, a purge or bleed-out caused by the inhumanity of humanity, a manic urgency that “burns the methane” of grief and rage.

Moving to Los Angeles, Hart continues to shovel bones, haunting stages like a macabre character ascending from the ashes of an Anne Rice novel. Those who have seen him read live might assume he sleeps upside-down. His work is impossible to define in a traditional sense because he has the bewitching ability to blur the lines of poetry & horror. Critics always want to shove art into a box & what’s rare about Hart Fisher’s work is that it’s confessional & uncompromising, it will burn through any box it’s placed in. He is a literary necromancer whose words are seething, visceral & the hemorrhage of raw impulse. Hart Fisher’s poetry is like the taste of metal or biting a live wire, it has electricity to it...high voltage.

So, for such an insanely functional icon what could possibly be left to conquer? For Hart Fisher, a heavy-hitter in horror genre & impossible to hog-tie, American Horrors is running with full steam, his YouTube channel CrimePaysHart is in full force & you can read the inside scoop from the recent South By Southwest event in Waco Texas at American Horrors, he has new poetry on Facebook & plans to publish more titles soon, including works from otherwise out-of-print editions.

The following poems are previously unpublished works and are subject to restriction and copyright. Reader & viewer discretion advised. All Rights Reserved. Images are subject to restriction & protected and property of Hart D. Fisher


UNTITLED
I remember how I found you
Like a sleeping girl
Waiting for christmas
Waiting for morning
Tiny pink dress
Just a little worn
Stray threads like so many faded days.

I remember how I found you
Lying so still
Cheeks still rosey
Lips still pert.

Your hair was bound back with a ribbon
Crusty and dirty
A piece of some kind of dream
Some kind of hope
Threaded through straw.

I remember how I found you
Crumpled in the grass
The sun was shinning
You had one shoe
One sock
Old polish on your toes
Out of place under a blue sky
Clouds like soft fur.

I remember how I found you
Your mouth was half open
Fingers curled up tight
There was an insect
Trapped away under your eyelid
It pushed and twisted in the sun
Little legs scrabbling
And the rope…

The rope…

I began to scream.
Hart D. Fisher © 2011





white hot heat surging from the years behind
up my skin
through my nerves
crawling down the street
a thundering pulse beat that makes my vision swim.
A fire without hope
Ticks in the face
I’m watching you
I’m feeling you breathe
Shuddering
From a shadow
A black cat eager to cross your path
Carrion feeder
A mangled priest with one hand down his pants and the other on the holy mother cross
Transgressing
I howl with the wolves
A hungry beggar at the dumpster
We jump in place
Super sized and found wanting
One pimp to another
Two jungle cats eyeing meat.
In the shadow
It’s not even my smile.
It’s his
A grin with no pity
Trembling in my car I dream of all that blood on my naked skin
Out on the street
Watching your window
Waiting for the lights to go out.
Hart D. Fisher © 2011


UNTITLED
Lying at the bottom of the tub
Looking up at the sky
The rain burns like old memories
Smothering my face
Tattooing my lips
Slowly
Patiently
Without passion
Burning
Like a corpse on fire
Like a flag falling to the ground
I burn
Moving down the street
Watching the squatters shuffle and die before our eyes
So many petals before the savior
I burn
The end of the wick
The sputtering candle in her corner
Never enough to keep the night at bay
Her fears at the end of a knife
The twist of it’s edge
I burn
Slowly
Patiently
Without pity
Without you.
Hart D. Fisher © 2011

Look for more from Hart D. Fisher on the following links:

***


 Review by Apryl Skies